Monday, September 29, 2008
“A lot of water has gone over the Grover’s Mill dam since their last visit,” says Dr. Alex Magoun, executive director of the David Sarnoff Library. “It’s time to let by-gones be by-gones, and welcome them back with a festival.”
Inspired by suggestions from West Windsor volunteer Sharon Chapman; Gwen McNamara, then of RMJM Hillier (and now Stony Brook-Millstone Watershed Association); and Plainsboro Library director Jinny Baeckler, Magoun did exactly that. The result is the first Martians for Education Festival, a collection of educational and entertaining events in West Windsor, Plainsboro, and Princeton between Saturday, October 18, and Wednesday, October 29.
“By our special logo, you will know us,” remarks Magoun. “We’ve been hosting theatrical broadcasts of the 1938 War of the Worlds radio show since 2003 to help raise money for the Library’s operations. This year, following the initiation of our field trip program, we decided to expand the theme, focus the fundraising, and give something back to the community.”
That something includes events organized by the Plainsboro Historical Society, which will screen the 1953 War of the Worlds movie and run trolley tours of sites related to the alleged landing; the David Sarnoff Library, which will host a presentation in 3D by Dr. Kenneth Kremer on the search for life on Mars; the David Sarnoff Radio Club, whose members will operate radio station W0W in Van Nest Park and explain the role of radio in emergency response; the West Windsor Historical Society, which will host a double header concert by the Mercer County Symphonic Orchestra and Cranbury Jazz Band; and the Princeton Library, where Henry Morse will talk about the 1938 broadcast and why it had the effect it did before playing it back. For the schedule, visit www.davidsarnoff.org/m4e_festival_2008.html.
Capping the festival, the David Sarnoff Library will once again stage Howard Koch’s classic War of the Worlds radio play as produced by the Hunterdon Radio Theatre and the New Jersey Antique Radio Club on Saturday, October 25, in a 2 p.m. matinee and an 8 p.m. benefit. “There’s something magical about watching a live cast perform a classic script while surrounded by the sound and warm glow of wooden radios,” says Magoun. “The original broadcast was the first dramatic demonstration of the power of broadcasting on human behavior. It alternately serves as a caution to blind technological optimism and a call for more education.”
That’s what the Library offers in its field trips: technological literacy as well as inspiration, given the Library’s location next to building where local scientists and engineers invented color TV and LCDs, among other things. Building on David Sarnoff’s passion for education, the Library continues to expand its field trip program, and recently received a $10,000 grant from the IEEE PACE Network to develop two new offerings in digital computing and radio. “Our trips run two hours and give elementary and middle-school students experience with the fundamentals of technologies they use everyday, and an opportunity to explore the social and historical issues surrounding them,” says Magoun. “But to expand access and conduct these trips, we need another staff person, and that’s where the theatre-goers on Saturday night have a stake in our state and country’s future.”
The evening benefit includes music by concert thereminist Kip Rosser, who will play the only musical instrument one doesn’t touch before the play and during the “Out of this World” dessert reception afterwards. The reception features desserts and drinks by Grover’s Mill Gourmet Coffee & Tea, Lindt Chocolate, McCaffrey’s Bakery, Sotto Ristorante, Wegman’s Bakery, and other fine establishments. Tickets are $70, of which $55 is a tax-deductible contribution to the Library, a 501(c)(3) nonprofit charity. They can be ordered online at davidsarnoff.org/shop-wotw2008.html.
Saturday, August 30, 2008
To kick off the celebration of the 70th anniversary of the historic War of the Worlds radio broadcast, which will be held at the David Sarnoff Library on October 25th, we've put together a little YouTube teaser advertisement. Noted thereminist Kip Rosser composed and performed the original music, WellsWelles Etude, for Seven Theremins; logo design winner Monica Vagnozzi's artwork is featured at the end of the video; and volunteer Sharon Chapman is responsible for the photographs and for putting the project together. Enjoy the video, and feel free to post it on your websites and share it with your friends.
Keep watching this blog for announcements about the October 25th celebration as the events are finalized and announced.
Tuesday, August 26, 2008
. . . Unfortunately, the David Sarnoff Library has no information on the corporate operation of the Victor company or its domestic or international recording groups. Mr. Sarnoff kept virtually no records of his management of RCA, and we have yet to receive any collections of papers related to Victor's record business.
"BMG, which bought RCA Records from General Electric Company in 1987, has records of recording dates at its archives in New York City. But corporate archives do not exist for outside researchers, and it is difficult to get access to BMG's Victor data.
"The best source that I know of is Eldridge Johnson's papers. Johnson started and ran Victor until 1927. His papers are located at the American Heritage Center in Wyoming, with photocopies at the Johnson Victrola Museum in Dover, Delaware. His correspondents included the head of the recording division and possibly Mr. Staats. Unfortunately, the AHC does not list the collection in its online catalog, and the Victrola Museum is not easily used by archival researchers, especially at a distance.
"Another source of information would be the 78-L List. The variety of collectors there may be able to help you with specific questions.
"Victor published a magazine, Voice of the Victor, for its dealers for about 25 years. There is a Spanish-language version for Latin America from 1915-31. A dealer in Uruguay sold several copies on Ebay several years ago. The Camden County Historical Society in Camden, NJ, has a large set of the English-language edition, and the Glendale Public Library in California has a large but incomplete collection as well.
"Some other writers on the music side of the record business are Ruth Glasser (My Music is my Flag: Puerto Rican Musicians and Their New York Communities, 1917-1940; U. of California Press, 2000) and David Suisman (The Sound of Money: Music, Machines, and Markets, 1890-1925, Columbia University dissertation, 2002), and William Howland Kenney (Recorded Music in American Life: The Phonograph and Popular Memory, 1890-1945; Oxford U. P., 1999). Their bibliographies may offer you some other avenues for research."
Monday, August 18, 2008
Thursday, August 14, 2008
Tuesday, July 22, 2008
Tuesday, July 15, 2008
Friday, June 27, 2008
Thursday, June 26, 2008
But first, some background. After five years and the first field trips, it was time for a change. “We’ve been staging the War of the Worlds broadcast with a live cast and antique radios since 2003,” says David Sarnoff Library executive director Alex Magoun. “A lot has happened at the Library since then. Now that we’ve begun hosting field trips to our new exhibits and renewed our commitment to science and technology education, the need for funding for an education director is more pressing. There are also so many new and younger members of the community who are unfamiliar with the broadcast, and we wanted to connect with them through the Library’s educational mission.”
Gwen McNamara, communications manager at Stony Brook-Millstone Watershed Association, and board member and Plainsboro Library director Jinny Baeckler suggested expanding the theme beyond the radio broadcast and offering more events. Library volunteer Sharon Chapman of West Windsor urged setting up a contest for a logo, and Magoun came up with “Martians for Education.” “It lacks the alliteration of “Aliens for Education,” he said, “but it also lacks the political overtones, and Martians are really what we’re focusing on. As Sharon said when she pushed this contest, there are some very talented people here, and we’re grateful for their best efforts in meeting our requirements.”
The judges committee of Magoun, Baeckler, Chapman, and Dick Snedeker and Jerry Fields of the West Windsor Arts Council reviewed eighteen entries from ten artists aged 11 to 75 years old. Monica Vagnozzi of Ewing, and a 2007 graduate of The College of New Jersey’s Art Department, submitted the winning design in a unanimous decision based on its brightness, original imagery, and positive view of educated, radio-friendly Martians against a global backdrop. Magoun announced the decision at the Library’s annual meeting Monday while recognizing the other two finalists from Princeton Junction: Janet Felton, second, and Charlotte Dey, third. They took home prizes including a dinner for two at Sotto Ristorante in Princeton, a gift basket from Grover’s Mill Coffee Roastery and Café in West Windsor, and an Avon Products gift certificate donated by Dorothy Sadley and Joann Marchiano.
For other activities, the Library plans to brand a variety of events culminating in its annual radio broadcast re-enactment on Saturday, October 25. The David Sarnoff Radio Club has agreed to apply for a special-event transmitter license for station W0W, and amateur radio operators or "hams" that make contact with W0W will receive a QSL card with the Martians for Education logo. The Library is working with the Plainsboro and West Windsor Historical Societies and other organizations to develop other activities with which to engage people of all ages.
“This is coming together at such an opportune time,” said Magoun. “NASA has just confirmed the existence of ice on Mars, we’re already booking field trips for the 2008-9 school year, and this campaign fits like a glove with the Princeton region’s designation as a tourist destination. We look forward to making this a festival of science, art, food, and history that you can’t get anywhere else on this or any other planet.”
Thursday, June 19, 2008
Monday, May 12, 2008
Thursday, April 10, 2008
So, to encourage more interest in science and technology to solve today’s global challenges, the David Sarnoff Library is holding a contest for design of the logo marking its events during the 70th anniversary of Orson Welles’ radio broadcast of War of the Worlds. These events on Friday-Saturday, October 24-25, will help raise funds for the Library’s educational programs, culminating in the Saturday night recreation of the broadcast in Sarnoff Corporation’s Auditorium next to the Library at 201 Washington Road, Princeton.
The logo should incorporate graphics representing the following items:
· 70th Anniversary or 1938-2008
· Grover’s Mill, New Jersey
· David Sarnoff Library
The rest is up to you! The most original, professional, and informative design will be chosen as the David Sarnoff Library’s official Martians for Education 2008 logo.
The deadline for entries is June 2. The winning logo will be unveiled at the Library’s annual meeting in June (date tba). Entries may be submitted to email@example.com or to
Martians for Education Logo Design Contest David Sarnoff Library
201 Washington Road
Princeton, NJ 08540-6449
Remember to include the following information with your entry – your name, age, address, telephone number, and e-mail address. Digital designs must be at least 300dpi tiff or hi-res jpg.
All entries become the property of the David Sarnoff Library, and will not be returned once they are submitted. The winning logo will appear on promotional material and merchandise for the Library. Entrants who are under the age of 18 need a parent or guardian to certify that they are entering this contest with permission. Individuals may submit multiple entries. Judging of this contest is based solely on the discretion of the Library’s judging panel. Prizes will be awarded to the top three designs.
So get out your thinking caps and start designing. The Martians are coming, and we need a logo that will tell the world!
Thursday, March 06, 2008
Having spoken with Sorkin's assistant at length, provided David Sarnoff actor Hank Azaria with a bibliography, read the script, and read and heard a great many reviews, I took my seat with some trepidation. Yet there on the scrim concealing the stage were projections of Philo Farnsworth's patent and notes for his image dissector. How odd is that for a theatre district that lives on musical spectaculars? When the play opens, there's the smartly dressed Sarnoff as characterized by Sorkin and Azaria--direct, aggressive, idealistic--introducing the subject, the invention of television, and the protagonist, Farnsworth, as a schoolboy in rural Idaho.
And off we go, from an untutored genius in a remote one-room schoolhouse to Sarnoff's escape from Russian pogroms to his perceptive understanding of the power of radio broadcasting and the rise of RCA in the 1920s. While Farnsworth pluckily cobbles together a team of family members to help him demonstrate the first public electronic TV transmission (Vladimir Zworykin made an internal demo of his electronic system in 1925), Sarnoff engineers RCA's growth into a multimedia empire, only to see it collapse in the speculative Crash of '29. This certainly resonated with an audience all too aware of reverberations of the bursting subprime bubble.
My concerns turned to from relief to pleasure and then joy as I watched the cast recreate the spirit of creativity, wonder, competition, and disillusionment in high technology. Sorkin, director Des McAnuff, and the rest of the ensemble created an alternate universe in which they realized a Sarnoff different in shape and manner from the one that I and the Sarnoff family and older RCA staff know. But not in his essence: there they’ve caught and manifested David’s understanding of the power and possibility of communications, a conviction he maintained from the questionable quality of radio programs to the televised riots and warfare of the 1960s—because he knew we have no choice. Some may feel that the final scene doesn't fit: a bar whose patrons are riveted by the televised moon landing (how the camera beat the lander to the surface requires some suspension of disbelief). But it caps the story with the ideal use that Sarnoff and Farnsworth hoped for "their" invention: the sight of the moon's vast wasteland justifies the landscape broadcast by the commercial networks.
The flaws with the play are not in Sorkin's mash-up of history and fiction, or the amount of information he pours out through his narrators and characters. They appear in the effort to make a tragedy out of a conflict between an inventor and an innovator. There are lots of brilliant inventors, but many of their inventions or patents never make it to the factory or the consumer, because of technical drawbacks, someone's else better idea, the lack of entrepreneurial support, the wrong market, or the wrong cultural moment for the right market. There are arguably fewer brilliant entrepreneurs, who have a vision, a place for particular inventions and products within that vision, and a sense of what the right market will bear. And here, that innovator is a force of nature few of us can comprehend, because he is not only single-minded but also correct about the future of communications, again and again and again. Sarnoff invariably "wins" because as innovator he commands the financial and intellectual resources to take the best inventions and organize the groups necessary to turn them from paper ideas into a popular commercial product.
So is that a tragedy, and what do we make of the title? Jimmi Simpson, who played Farnsworth, was equal to the challenge of maintaining his character's near-manic drive, his optimism, and his disillusionment when he understands the inherent flaw in the camera he invented. He held his own in his encounters with Azaria's Sarnoff; more than that we see how untutored, and consequently unfocused, this genius was. It's hard to imagine a better case for nurturing the brilliant young people in our cities and our countryside than seeing young Philo trying to explain his image dissector to his ninth-grade teacher, sell his idea to a couple of traveling salesmen with some savings, and fix the unfixable in his clever but flawed TV camera.
None of this has much to do with Sarnoff, but an audience unconsciously expecting the tragic bioplay of a lone inventor finds him matched if not overshadowed by the corporate visionary and innovator. Azaria did his job all too well in filling Sarnoff's shoes. He was ambitious and commanding in the service of a noble cause, and he was also human, with a wife who knows how to take him down a peg when necessary. Without a David Sarnoff we can identify with as well as wonder at, there is no dramatic tension, no story in which an audience may ponder the wonder of our inventiveness, the ambitions and unfairness of life, the meaning of our achievements.
It's not called the The Sarnoff Innovation but it might as well be, given the RCA leader’s taking on the government and the rest of the broadcast and electronics industries to bring electronic TV to the American household, for better and worse. That story may never have the dramatic tension that Sorkin creates, at least not until Peter Sellars writes the opera. Until then Sorkin leaves us wondering whether TV is Farnsworth's invention after all.
Tuesday, March 04, 2008
This time around the infamous, mutating orchestra personnel have been hand-picked by founders Howard Moscovitz and Greg Waltzer. During the first half of the evening, various members will perform short sets of electrifying compositions before returning in the second half as the full Chamber Orchestra in a sizzling celebration of Spring.
The audience will meet Fringe Element, a quartet of electro-musicians: Michael Victor, Greg Waltzer, Jose Murcia and James Lacey. Their wholly spontaneous creations will lead everyone out of the ordinary and into a world of unpredictable, flowing soundscapes. Their two CDs, Rampant Biology and Organic Chemistry are available at electro-music.com. Another of the evening’s permutations will see Greg Waltzer leave the Fringe to build lush, ambient sonic constructs with partners Howard Moscovitz and Bill Fox. Together, they become the resonant force called Xeroid Entity. The evening’s mutations continue with Howard freed of the trio to perform solo, bringing us deep into the reverberating harmonies and silences of his own universe. He’ll then be joined by thereminist Kip Rosser (Remember the theremin? The electronic instrument that’s played without being touched!). The duo will present their dreamy, evocative improvisations, soon to be released on their CD, Exploration of the Black Exterior. The metamorphosis will be completed in the evening’s second half, as all personnel become the Electro-Music Chamber Orchestra. Their composition will be an entirely new experiment in which the music is “conducted” by utilizing a complex numbering system, under the direction of Howard Moscovitz.
This feast for the ears is also going to be a banquet for the eyes. State-of-the-art visuals will send the audience on a parallel trip presented by Azimuth Visuals. The premiere diva of computer-generated abstract images, animations, and original artwork, Hong Waltzer will be processing and mixing video in real time. Inspired by the music being created onstage, her dynamic collages bring even more depth to the musical oceans.
Perfect for young and old, electronic music enthusiasts and traditional music-lovers alike, this is a great occasion to treat aspiring musicians to sights and sounds they’ve never experienced before. Don’t miss this evening of boundary-breaking music making. Get a real buzz, and kick off Spring with the Electro-Music Chamber Orchestra!
Monday, February 25, 2008
Tracing the history of television from early inception through golden age, to the current world of flat screens, cable, and satellites, Magoun (David Sarnoff Library) comprehensively overviews a medium now in everyone's memory. He readily admits that he neither watches television nor possesses any technical training in chemistry or physics, but these have not hampered his research skills. Magoun provides an interesting historical survey of major inventors, companies, and influences in the life story of a technology known as television. He writes from the perspective of a witness to the conception and birth of television. He continues to document its life from the role of a parent who ultimately must witness the eventual breaking away of the "child" so that it could forge ahead to build the revolutionary digital world, and he follows its eventual death as medium of choice for most people. Along the way, Magoun reveals how society has also evolved with each change in technology. Readers are left with an appreciation for an old friend that they enjoyed having around, as well as recognition of the role that television has played in making entertainment and communication what it is today.
Summing Up: Highly recommended.
-- C. S. McCoy, University of South Florida
Saturday, February 23, 2008
Inaugurated last year by the Long Island Wireless History Society, which saved that station's shack, the day's events between 10 am and 4 pm include our executive director, Dr. Alex Magoun, speaking on the history of television as no one else can, based on his critically acclaimed book; master thereminist Kip Rosser; and the Hunterdon Radio Theatre's recreation of the 1938 broadcast of Orson Welles and Howard Koch's War of the Worlds. You can be sure that Alex will have a few thoughts on The Farnsworth Invention!
There's much more to see, hear, and do: tours of C. W. Post's radio station, co-sponsor WCWP 88.1 FM; hands-on and historical exhibits; model trains and planes (but no automobiles--why not?); and restored tube radios, old-time radio programs, and all sorts of curious electronica for sale. So, take a tip and take this trip!
Monday, February 18, 2008
We're very excited to see the world's largest engineering organization, the IEEE (formerly known as the Institute for Electrical and Electronics Engineers) add video to its website. IEEE.tv provides free streamed videos to those interested in what engineers do in some crucial areas for our future: environmentally sensitive design, transport, energy, and manufacturing, and what they've done in the past, courtesy of the IEEE History Center's first videohistory, with Jerry Minter, who specializes in collision-avoidance inventions.
It's wonderful to see the IEEE expand its outreach online; IEEE.tv is a great complement to TryEngineering, a seven-language (!) collaboration with IBM to encourage more young people to consider and commit themselves to careers in engineering. There's something here for students, parents, teachers, and counselors, who can play engineering games; meet male and female engineers in aerospace, computer, and biomedical careers, among others; look for internships and college or university programs; and borrow from lesson plans, all online.
Thursday, February 14, 2008
Friday, February 08, 2008
Thursday, January 24, 2008
Many of you have expressed interest in attending The Farnsworth Invention on Broadway, which has received much better reviews from the audience than many of the critics, who sometimes seem offended that a Hollywood luminary has returned to the Great White Way. Nonetheless, popular theatrical productions on the process and ambition of high-technology innovation, no matter how technically askew, are few and far between, and Hank Azaria has made the character and drive of David Sarnoff his own. West Windsor Community Education has organized a bus trip to The Farnsworth Invention matinee on Saturday, March 29. Those of you in-state who haven't seen it can get the details on page 25 of the PDF at
Fill out and return the form, or call Diane at 609-716-5000 x5034 to reserve your tickets--only 49 are available, so it would be wise to act quickly. David Sarnoff Library executive director Dr. Alexander Magoun will be attending a second time, in follow-up to this Friday's performance.
Monday, January 21, 2008
We'd like to thank all of the above, plus those who helped behind the scenes: Jeff Grabel for organizing this enlarged sequel to last spring's pilot trip; Dutch Neck principal Scott Feder; Carolann Churins, Sarnoff Corporation vice president for adminstration; educational consultant Jane Eilbacher; Forrest Bradbury of Princeton University, and Mike Bunting, Mike Kane, Dennis McClary, and Fred Vannozzi of Sarnoff Corporation for more technical support than you can imagine.
Wednesday, January 16, 2008
Tuesday, January 15, 2008
Admission to the open house is free, although donations to support the library are always gladly accepted. Directions to the library can be found here.
We hope to see many Friends of the Library on Saturday, as well as some of the charming Dutch Neck Elementary School third graders who have been visiting the library this week on field trips. And, of course, we always hope to welcome first-time guests and other returning visitors who want to see just what all of the fuss is about.
Saturday, January 05, 2008
Wednesday, January 02, 2008
Have you seen or heard about Aaron Sorkin's Broadway hit, The Farnsworth Invention, and want to know more? RCA and television historian Dr. Alex Magoun will offer guided tours of the Library's exhibits on the hour at 10 and 11 am and 1, 2, and 3 pm. See and hear the incredible stories behind David Sarnoff's amazing life, and the remarkable inventors at RCA who brought you everything from microchip computers to color TV!
This year we're bringing back electronic music through the kind services of Kip Rosser, master thereminist, and Brainstatik, one of the groups who blew audiences away at our Electromusic Chamber Concert last December! Kip engages and enthralls young and old with the amazing electronic instrument that plays music through handwaving. Kip's Theremin Feast in the David Sarnoff Dining Room will offer menus with everything from appetizers (the history of the theremin divided up into story tidbits) to Classical Entrees (classical music) to Romantic Suppers for Two (jazz songs with a romance theme) to a Beatles Buffet(self-explanatory) and more. There will be a total of about 50 songs and pieces on the menu. Kip will explain and play the theremin in the David Sarnoff Dining Room between 10 am and 1 pm, offering visitors a chance to play for themselves.
Meanwhile, in the afternoon, Brainstatik's musicians and technicians use a variety of synthesizers to replicate and embellish the sounds made by keyboard, reed, string, and percussion instruments, all to a shifting and synchronized background of light and video. while Brainstatik with take the auditorium stage from 2 to 4 pm. What better way to unwind after a hard week or day?
Finally, if you've an old, or old, old radio, make an appointment for the New Jersey Antique Radio Club's repair clinic. If its experts can't fix it for you in an hour, they can surely tell all about where and when it was made--for free! Contact Phil Vourtsis at firstname.lastname@example.org to make an appointment; be ready to have the make and model number of your tabletop or console treasure.
The Library doesn't charge admission but suggests a $5 donation per person if you enjoyed your visit.
Need directions? Use 201 Washington Road, 08540 on your favorite internet map and follow the signs at Sarnoff Corporation's entrance to the non-profit Library.